Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
“There is nothing new under the sun, but there are new suns” – Octavia Butler Framing explorations of space, geography, mapping, and land/waterscapes, especially of the African diaspora, New Suns in Lawndale’s Cecily E. Horton Gallery features new installation, painting and drawing by Ayanna Jolivet Mccloud. Featured image courtesy of the artist.
"Fragments of Memory", a selection of works from the Menil Collection’s permanent collection, explores the ways in which the past imbues present experiences. In their drawings, the featured artists take up commonplace embodiments of personal and collective memory, such as scrapbooks, snapshots, notes, relics, and odes, to reimagine how we might access fraught memories and […]
"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
Project Row Houses (PRH) proudly presents the second iteration of our Southern Survey Biennial in the historic row houses on Holman Street in Third Ward. This survey of recent works created by contemporary visual artists living and working in “The South” will feature installations in PRH’s historic row houses from Rabeeha Adnan (Richmond, VA), Nico […]
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System? is a participatory installation by artist collaborators Alex Strada and Tali Keren. It critically examines the U.S. Constitution and creates space for intervention and political imagination. The artists ask visitors to engage critically with the U.S. Constitution and pose two questions: What […]
River on Fire is a multidisciplinary exhibition showcasing the work of 14 artists who respond to environmental crises and climate change. Curated by Ashley DeHoyos Sauder, the exhibition draws inspiration from a long history of environmental activism related to river fires across the nation— events that have significantly shaped understandings of ecological preservation and environmental […]
BOX 13 ArtSpace is pleased to present three new exhibitions opening Friday October 25, 2024 6pm to 9pm. In the Front BOX gallery, Kevin Lopez's "A Thinning of the Veneer" explores the multiplicity of the inner self. Through the use of simultaneous figures and curiously unique painting structures, the exhibition asks viewers to question their […]
Our FREE Level 0 class is a fun, no-pressure way to try improv! This weekly 30-minute class lets you get a taste of Station’s improv training program, and it’s a great way to spend a Friday night! Level 0 students will receive a $25 discount code for our nine-week Level 1 - Fundamentals of Improv […]
Station Theater's weekly FREE Level 0 class is a fun, no-pressure way to try improv! This weekly 30-minute class lets you get a taste of Station's improv training program, and it's a great way to spend a Friday night! Students are invited to stay for the 8:00 pm show for free, pending ticket availability, and […]
The Year of Magical Thinking By Joan Didion based on her memoir of the same name October 19, 2024 – November 17, 2024 Previews: October 13, 17, & 18 “This happened on December 30, 2003. That may seem a while ago, but it won’t when it happens to you…” In this dramatic adaptation of her […]
by HAROLD PINTER directed by SOPHIA WATT From the final meeting of two lovers to the inception of an illicit affair, a love triangle unfolds backward as power dynamics shift in exhilarating and unexpected ways in Harold Pinter’s masterpiece. The most fundamental axioms of love and friendship are open for reassessment, as we witness Emma, […]
