DACAMERA and The Menil Collection present Stop, Look and Listen! This Stop, Look, and Listen! program delves into the Menil Collection’s ‘Fragments of Memory,’ examining how the past influences our present experiences. DACAMERA Young Artists respond to these selected works at the Menil Drawing Institute.
"Out of Thin Air: Emerging Forms" examines drawing as a meditative process that invites the gradual appearance of indeterminate images. Selected from the Menil Collection’s permanent collection, this display of twenty-nine drawings dating from the late 1930s to the present share a visual language of emerging forms. On view September 20, 2024 through January 26, […]
"Fragments of Memory", a selection of works from the Menil Collection’s permanent collection, explores the ways in which the past imbues present experiences. In their drawings, the featured artists take up commonplace embodiments of personal and collective memory, such as scrapbooks, snapshots, notes, relics, and odes, to reimagine how we might access fraught memories and […]
Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
"Out of Thin Air: Emerging Forms" examines drawing as a meditative process that invites the gradual appearance of indeterminate images. Selected from the Menil Collection’s permanent collection, this display of twenty-nine drawings dating from the late 1930s to the present share a visual language of emerging forms. On view September 20, 2024 through January 26, […]
"Fragments of Memory", a selection of works from the Menil Collection’s permanent collection, explores the ways in which the past imbues present experiences. In their drawings, the featured artists take up commonplace embodiments of personal and collective memory, such as scrapbooks, snapshots, notes, relics, and odes, to reimagine how we might access fraught memories and […]
Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
"Out of Thin Air: Emerging Forms" examines drawing as a meditative process that invites the gradual appearance of indeterminate images. Selected from the Menil Collection’s permanent collection, this display of twenty-nine drawings dating from the late 1930s to the present share a visual language of emerging forms. On view September 20, 2024 through January 26, […]
"Fragments of Memory", a selection of works from the Menil Collection’s permanent collection, explores the ways in which the past imbues present experiences. In their drawings, the featured artists take up commonplace embodiments of personal and collective memory, such as scrapbooks, snapshots, notes, relics, and odes, to reimagine how we might access fraught memories and […]
Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
