Here All Along in Lawndale’s John M. O’Quinn Gallery is a collection of new work by Sol Diaz-Peña, created during their time as a 2023/2024 Artist Studio Program participant brought forth by a journey of rematriation to their Zapotec roots in Oaxaca, Mexico. This exhibition features the artist’s multidisciplinary work based in painting, photography, light, […]
“There is nothing new under the sun, but there are new suns” – Octavia Butler Framing explorations of space, geography, mapping, and land/waterscapes, especially of the African diaspora, New Suns in Lawndale’s Cecily E. Horton Gallery features new installation, painting and drawing by Ayanna Jolivet Mccloud. Featured image courtesy of the artist.
“There is nothing new under the sun, but there are new suns” – Octavia Butler Framing explorations of space, geography, mapping, and land/waterscapes, especially of the African diaspora, New Suns in Lawndale’s Cecily E. Horton Gallery features new installation, painting and drawing by Ayanna Jolivet Mccloud.
Jean Shon in a word Cecily E. Horton Gallery In a word explores traces of loss through the re-generation of ephemera from her family archive. Through sourced images and text, Jean examines rupture/reconstruction, origin/reproduction, and legibility/illegibility as methods of erasure and revelation. This body of work is a dialogue that evolves despite the lack of […]
‘rest, raze, cullect,’ brings together three bodies of work, interconnected, and interrelated, yet each inspired by a particular infrastructural situ. Transplanting them together here showcases material shifts over time and conceptual throughlines. Utility boxes on the corners of streets become cage-like shower stalls and water towers. Water main access pipes stretch upwards like pillars and […]
In a word explores traces of loss through the re-generation of ephemera from her family archive. Through sourced images and text, Jean examines rupture/reconstruction, origin/reproduction, and legibility/illegibility as methods of erasure and revelation. This body of work is a dialogue that evolves despite the lack of a living presence; rather, that presence is found and […]
The daily devotional is the latest installment of Roslyn M. Dupré’s ongoing experimentations with fiber technique, language, and ritual. An assemblage of photographs and intimate sewn works, the exhibition explores the artist’s reactions to text, to forms of language, and to traditional fiber work. The project initially began as a reaction to the unusual circumstances […]
‘rest, raze, cullect,’ brings together three bodies of work, interconnected, and interrelated, yet each inspired by a particular infrastructural situ. Transplanting them together here showcases material shifts over time and conceptual throughlines. Utility boxes on the corners of streets become cage-like shower stalls and water towers. Water main access pipes stretch upwards like pillars and […]
In a word explores traces of loss through the re-generation of ephemera from her family archive. Through sourced images and text, Jean examines rupture/reconstruction, origin/reproduction, and legibility/illegibility as methods of erasure and revelation. This body of work is a dialogue that evolves despite the lack of a living presence; rather, that presence is found and […]
The daily devotional is the latest installment of Roslyn M. Dupré’s ongoing experimentations with fiber technique, language, and ritual. An assemblage of photographs and intimate sewn works, the exhibition explores the artist’s reactions to text, to forms of language, and to traditional fiber work. The project initially began as a reaction to the unusual circumstances […]
‘rest, raze, cullect,’ brings together three bodies of work, interconnected, and interrelated, yet each inspired by a particular infrastructural situ. Transplanting them together here showcases material shifts over time and conceptual throughlines. Utility boxes on the corners of streets become cage-like shower stalls and water towers. Water main access pipes stretch upwards like pillars and […]
In a word explores traces of loss through the re-generation of ephemera from her family archive. Through sourced images and text, Jean examines rupture/reconstruction, origin/reproduction, and legibility/illegibility as methods of erasure and revelation. This body of work is a dialogue that evolves despite the lack of a living presence; rather, that presence is found and […]
