Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]

Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]

Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]

Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]

Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]