Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, […]
The FotoFest Biennial 2024 central exhibition, "Critical Geography", reexamines traditional Western and historical understandings of geography while expanding these investigations to new realms. Borrowing its name from the subdiscipline of geography that questions and challenges power structures, inequality, and the dominant ideologies shaping physical space, Critical Geography explores how space, place, and communities are influenced […]
The Menil Collection will open "Janet Sobel: All-Over" on February 23, 2024, featuring some thirty paintings and drawings made by artist Janet Sobel (1893–1968). This exhibition, the first to focus on Sobel’s highly accomplished and influential abstract paintings, will explore the artist’s work as one of the first to pioneer a new approach to modern […]
In the summer of 1905, Henri Matisse and André Derain embarked on a creative partnership that would change the course of French painting. The two painters experimented with daring directions in energetic bursts of color, form, and structure that eventually led to a boldly inventive artistic language known as Fauvism (from the French fauve, or […]
Multiplicity: Blackness in Contemporary American Collage is the first major museum exhibition devoted to exploring the breadth and complexity of Black identity and experiences in the United States through collage. Works by multiple generations of living artists examine concepts such as cultural hybridity, gender fluidity, historical memory, and notions of beauty and power. By assembling […]
Kehinde Wiley: An Archaeology of Silence showcases Kehinde Wiley’s new, monumental body of work, with large-scale paintings and sculptures of men and women in repose. Through his work, with detailed portrayals of Black and Brown individuals, the artist confronts the silence surrounding systemic violence and injustice. In this body of work, Wiley uses the visual […]
This group installation celebrates the work of the 4th cohort of artists in Project Row Houses' Building Blocks of Creative Careers (BBCC) Artist Mentorship Program. The program brings together a cohort of emerging artists and pairs each of them with a mentor. Mentors are established Houston artists who share their expertise and insight into all […]
Click, Clack, Moo Cows That Type Based on the book by Doreen Cronin with pictures by Betsy Lewin Adapted by James E. Grote and George Howe Farmer Brown has a problem. His cows like to type! And when they start using the typewriter to make demands and stand up for their rights, he has his […]
Almendárez’s multi-channel video and sound installation draws upon survey questions related to employment and labor policies in the United States. As part of the project, the parallels and contradictions between predominantly accepted notions of work vs. artistic labor are further explored through a live, interpretive performance by sound and video artists on March 8th. Almendárez’s […]
Patricia Bella-Gillen “Listening to Jackalopes” opens featuring a group of drawing and collages on Thursday, March 14 with an artist Meet and Greet from 6-8pm at Nicole Longnecker Gallery, 1440 Greengrass. Dr. The artist will be in attendance. The exhibit continues through Saturday May 11, 2024. “I am so excited to show this work to […]
reVision’s CommUnity Night is a weekly get together for a hot meal, music, dancing, and celebration. While primarily focused on school-aged children and youth, and young adults, reVision's CommUnity Night is open to the public. The musical focus is on hiphop, a live DJ plays music, and children and youth can learn the fundamentals of […]
Estimated runtime of 1 hour and 30 minutes with no intermission. Good intentions collide with absurd assumptions in Larissa FastHorse’s wickedly funny satire, as a troupe of terminally “woke” teaching artists scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month. "Very, very funny... this clever satire […]
