The outstanding Valeriy Sokolov performs Barber’s enchanting Violin Concerto. Ending with a rollicking dance inspired by Argentine gauchos, Alberto Ginastera’s Estancia will have you dancing in your seat. And, hit the bustling streets of Harlem with jazz-infused music by Duke Ellington.
Seasons change…and life takes new forms.Pride Chorus Houston is proud to present A New Day Dawning! Join us as we explore the seasons of life, the challenges our community faces, and the hope we have for the future! Featuring rousing music from The Wiz, Dear Evan Hansen, and The Greatest Showman, pop hits from Sara […]
Call today, and let us help you play great music. Whether you are a beginner or more advanced, our teachers are here to help. Accepting students of all ages. Classes are available online or in-person.
Diabelli 200 Explorer is the interactive website accompanying Anthony Brandt’s February 24-25 premiere of Diabelli 200, commissioned by Performing Arts Houston for their New/Now performance series. This virtual component explores the historic and neuroscience inspiration behind this new work, which was developed in collaboration with University of Houston neuroscientist Dr. Jose Luis Contreras-Vidal. In 1819, […]
Bayou City Art Festival, produced by the Art Colony Association, Inc., announced the Bayou City Art Festival Downtown featured artist is Michelle McDowell Smith, a mixed media artist from Roanoke, VA. Smith along with 250 artists from around the country, representing 19 different disciplines, will showcase their art at Bayou City Art Festival Downtown on […]
The Negro Motorist Green Book, a new exhibition developed by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with award-winning author, photographer and cultural documentarian, Candacy Taylor will be on display in Holocaust Museum Houston’s Josef and Edith Mincberg Gallery Sept. 1 through Nov. 26, 2023. The Green Book provided critical, life-saving information on […]
This exhibition presents more than one hundred portraits made over the past twenty years by Houston-based artist Nestor Topchy (b. 1963). The small paintings, with their gold backgrounds, resemble Byzantine icons; however, rather than representing religious figures, Topchy depicts friends and colleagues in the art community.
The black cat’s out of the bag—HAUNTED HUES arrives at Color Factory this fall! Celebrating all the colors and creatures of the season, this exclusive Halloween experience features special treats, spellbinding photo opps, a monstrously fun scavenger hunt and a pumpkin patch like you’ve never seen before. Grab your costumes and your tickets and join […]
Tsherin Sherpa Spirits tells the stories of loss, struggle, and empowerment in this thought-provoking and participatory art experience by renowned Himalayan artist Tsherin Sherpa. Born and raised in Kathmandu, Nepal, Sherpa studied Tibetan Buddhist painting with his father from the age of thirteen. In his late 20s, he relocated to California, where he continued his traditional art practice […]
Histories and lives embedded in the land – and particularly the waterways that have alternately built and destroyed Houston over time – will be the subject of a newly commissioned, multi-disciplinary work by Mexican artist Tania Candiani. In her past work, Candiani has worked across a spectrum of media and practices to explore the intersections […]
This exhibition presents the innovative art made by the Greek-born artist Chryssa (1933–2013) while she was living in New York City from the late 1950s to the early 1970s. Renowned for her adoption of industrial process, found commercial materials and early work with neon light, she stands at the forefront of American art in the […]
In this workshop we will explore the complexity of truth within us and between us, and examine the distinctions between cohesive and coherent narratives. While cohesive narratives hold something together tightly, these stories can result in a fundamentalist rigidity without integration of past, present, or future. Coherent narratives, on the other hand, fluidly lend themselves […]
