Here All Along in Lawndale’s John M. O’Quinn Gallery is a collection of new work by Sol Diaz-Peña, created during their time as a 2023/2024 Artist Studio Program participant brought forth by a journey of rematriation to their Zapotec roots in Oaxaca, Mexico. This exhibition features the artist’s multidisciplinary work based in painting, photography, light, […]
“There is nothing new under the sun, but there are new suns” – Octavia Butler Framing explorations of space, geography, mapping, and land/waterscapes, especially of the African diaspora, New Suns in Lawndale’s Cecily E. Horton Gallery features new installation, painting and drawing by Ayanna Jolivet Mccloud. Featured image courtesy of the artist.
Olivia Erlanger: If Today Were Tomorrow is the artist’s first solo museum presentation in the United States. Across an installation, a video, and a series of commissioned sculptures, Erlanger continues her decade-long disruption of the “semiotics of suburbia.” In her practice, Erlanger thinks of the home as a greater ecosystem containing not only houses but […]
"Out of Thin Air: Emerging Forms" examines drawing as a meditative process that invites the gradual appearance of indeterminate images. Selected from the Menil Collection’s permanent collection, this display of twenty-nine drawings dating from the late 1930s to the present share a visual language of emerging forms. On view September 20, 2024 through January 26, […]
"Fragments of Memory", a selection of works from the Menil Collection’s permanent collection, explores the ways in which the past imbues present experiences. In their drawings, the featured artists take up commonplace embodiments of personal and collective memory, such as scrapbooks, snapshots, notes, relics, and odes, to reimagine how we might access fraught memories and […]
Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
Project Row Houses (PRH) proudly presents the second iteration of our Southern Survey Biennial in the historic row houses on Holman Street in Third Ward. This survey of recent works created by contemporary visual artists living and working in “The South” will feature installations in PRH’s historic row houses from Rabeeha Adnan (Richmond, VA), Nic […]
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System? is a participatory installation by artist collaborators Alex Strada and Tali Keren. It critically examines the U.S. Constitution and creates space for intervention and political imagination. The artists ask visitors to engage critically with the U.S. Constitution and pose two questions: What […]
Attention, artists and manga fanatics! At our popular manga camp, create your own comics inspired by the Japanese manga style. Beginner to advanced students will learn new skills to bring comics to life on paper and on the web. Learn how comics are made, compete in sketching contests, and show off your work on the […]
Dive into calligraphy traditions and learn how nature has influenced this art form across Asia and beyond. Campers will be introduced to different techniques, scripts, and tools to create their own expressive artwork. No prior calligraphy or brushwork experience needed. Recommended for students ages 9–12.
Marking a major shift in Maloney’s practice, Scenes From Films I’ll Never Make, introduces a selection of 10 new oil paintings made by the artist within the last year. As the title suggests, a lot of the pieces were first conceived as ideas for films that for one reason or another never came to be. […]
