"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
Project Row Houses (PRH) proudly presents the second iteration of our Southern Survey Biennial in the historic row houses on Holman Street in Third Ward. This survey of recent works created by contemporary visual artists living and working in “The South” will feature installations in PRH’s historic row houses from Rabeeha Adnan (Richmond, VA), Nic […]
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System? is a participatory installation by artist collaborators Alex Strada and Tali Keren. It critically examines the U.S. Constitution and creates space for intervention and political imagination. The artists ask visitors to engage critically with the U.S. Constitution and pose two questions: What […]
River on Fire is a multidisciplinary exhibition showcasing the work of 14 artists who respond to environmental crises and climate change. Curated by Ashley DeHoyos Sauder, the exhibition draws inspiration from a long history of environmental activism related to river fires across the nation— events that have significantly shaped understandings of ecological preservation and environmental […]
Developed over 4 years and across multiple locations in Texas and New York, At the Still Point comprises over 70 sculptural works employing various weave structures. Evolving from an exploration of the canvas – a woven textile - into a study of composition with space, the work contemplates what exists between. At the Still Point will […]
The Art + Climate Justice Symposium centers on the legacy of oil and gas industries, the Gulf Coast as a precarious region, and artistic and curatorial sustainable practices. The symposium features a full day of panel discussions, art breaks, and opportunities for socializing and building community. All events are free with registration. For the symposium […]
"Immersive Community Wellness" An immersive Afrofuturistic experience to soothe all the senses - AMEA's "Agenda's" take us on a pursuit of Joy, Love, and Peace through sharing tools for supporting our nervous systems along the way the Fall of 2024. The mission is to meet the "Lady on the Hill" - Featuring local visual imaginings […]
Please join HCCC to celebrate the opening of our fall exhibition, "Designing Motherhood," as well as "In Residence: 17th Edition". The evening will also feature open studios by the current resident artists and sounds by DJ Hollaway. Beer generously provided by Equal Parts Brewing.
Reeves Art + Design is excited to announce their upcoming solo exhibition for Rachelle LeBlanc titled “No Time for Sorry.” The exhibition will be on view November 4th – November 16th, 2024. The opening reception will take place on Friday, November 8th from 6:00 PM – 8:00PM. Admission is free and open to the public. […]
Attention, artists and manga fanatics! At our popular manga camp, create your own comics inspired by the Japanese manga style. Beginner to advanced students will learn new skills to bring comics to life on paper and on the web. Learn how comics are made, compete in sketching contests, and show off your work on the […]
Dive into calligraphy traditions and learn how nature has influenced this art form across Asia and beyond. Campers will be introduced to different techniques, scripts, and tools to create their own expressive artwork. No prior calligraphy or brushwork experience needed. Recommended for students ages 9–12.
The Art + Climate Justice Symposium centers on the legacy of oil and gas industries, the Gulf Coast as a precarious region, and artistic and curatorial sustainable practices. The symposium features a full day of panel discussions, art breaks, and opportunities for socializing and building community. All events are free with registration. For the symposium […]
