Wall Drawing Series: Ronny Quevedo features a site-specific work by New York-based artist Ronny Quevedo (b. 1981). The 36-foot triptych, C A R A A C A R A, 2024, explores the relationship between origin, transfer, and translation, with each panel of the composition indicating a different step in the artist’s process.
"Tacita Dean: Blind Folly" is the first major museum survey in the United States of work by British European visual artist Tacita Dean (b. 1965). The exhibition, organized in close collaboration with Dean, spotlights her career-defining approach to creating art through unmediated and chance-based drawing processes across a variety of mediums, from film to printmaking.
Project Row Houses (PRH) proudly presents the second iteration of our Southern Survey Biennial in the historic row houses on Holman Street in Third Ward. This survey of recent works created by contemporary visual artists living and working in “The South” will feature installations in PRH’s historic row houses from Rabeeha Adnan (Richmond, VA), Nic […]
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System? is a participatory installation by artist collaborators Alex Strada and Tali Keren. It critically examines the U.S. Constitution and creates space for intervention and political imagination. The artists ask visitors to engage critically with the U.S. Constitution and pose two questions: What […]
River on Fire is a multidisciplinary exhibition showcasing the work of 14 artists who respond to environmental crises and climate change. Curated by Ashley DeHoyos Sauder, the exhibition draws inspiration from a long history of environmental activism related to river fires across the nation— events that have significantly shaped understandings of ecological preservation and environmental […]
Our FREE Level 0 class is a fun, no-pressure way to try improv! This weekly 30-minute class lets you get a taste of Station’s improv training program, and it’s a great way to spend a Friday night! Level 0 students will receive a $25 discount code for our nine-week Level 1 - Fundamentals of Improv […]
Station Theater's weekly FREE Level 0 class is a fun, no-pressure way to try improv! This weekly 30-minute class lets you get a taste of Station's improv training program, and it's a great way to spend a Friday night! Students are invited to stay for the 8:00 pm show for free, pending ticket availability, and […]
This Fall, the Pearl Fincher Museum of Fine Arts is honored to present “Roots & Reverence: Exploring Indigenous Perspectives on Art, Culture, and Identity.” Discover the vibrant tapestry of Native American cultures through this immersive exhibition, which showcases the artistic legacy and profound narratives of tribes across North America. Visitors will experience traditions that have […]
This Fall, the Pearl Fincher Museum of Fine Arts is honored to present “Roots & Reverence: Exploring Indigenous Perspectives on Art, Culture, and Identity.” Discover the vibrant tapestry of Native American cultures through this immersive exhibition, which showcases the artistic legacy and profound narratives of tribes across North America. Visitors will experience traditions that have […]
KBR Kids Day is a free annual event for the entire community. Thousands of children and their families will gather at Tony Marron Park in the Buffalo Bayou East to experience a full day of fun including hands-on nature activities, a birds of prey show, music, performances, face painting, and more! This event will also […]
Koslov Larsen is pleased to present Sun to Earth, the gallery’s third solo presentation by artist Brenda Biondo. Combining several series of Biondo’s works, Sun to Earth introduces new ways of looking at common subjects while challenging viewers' perception of color and three-dimensional space. The works explored throughout the show focus on atmospheric phenomena and […]
Olivia Erlanger: If Today Were Tomorrow is the artist’s first solo museum presentation in the United States. Across an installation, a video, and a series of commissioned sculptures, Erlanger continues her decade-long disruption of the “semiotics of suburbia.” In her practice, Erlanger thinks of the home as a greater ecosystem containing not only houses but […]
