Interested in showcasing your work at FXF 2023? We are currently accepting submissions through FILMFREEWAY.COM. Frame x Frame is open to films that explore the relationship of the moving body and the camera. Films will be selected based on the quality of the image, sound, and the choreography of the body as well as the camera. […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Interested in showcasing your work at FXF 2023? We are currently accepting submissions through FILMFREEWAY.COM. Frame x Frame is open to films that explore the relationship of the moving body and the camera. Films will be selected based on the quality of the image, sound, and the choreography of the body as well as the camera. […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Part documentary, part narrative fiction, part home movie, and part acid trip, Tarnation is a psychedelic whirlwind of snapshots, Super-8 home movies, old answering machine messages, video diaries, early short films, snippets of ‘80s pop culture, and dramatic reenactments that create an epic portrait of an American family travesty. The story begins in 2003 when […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
Both perversely pleasurable and pleasurably perverse, Jordan Strafer’s videos are absurd, fantastical, humorous, and, at times, violent meditations on power and the uniquely human capacity to inflict violence, be it physical, psychological, or both. The artist’s first solo museum exhibition, Jordan Strafer: Trilogy presents Strafer’s recent trilogy of videos PEP (Process Entanglement Procedure) (2019), SOS […]
