Jean Shon
in a word
Cecily E. Horton Gallery
In a word explores traces of loss through the re-generation of ephemera from her family archive. Through sourced images and text, Jean examines rupture/reconstruction, origin/reproduction, and legibility/illegibility as methods of erasure and revelation. This body of work is a dialogue that evolves despite the lack of a living presence; rather, that presence is found and transformed through memories, ideas, oral stories, and conversation.
Ariel Wood
rest, raze, cullect
John M O’Quinn Gallery
‘rest, raze, cullect,’ brings together three bodies of work, interconnected, and interrelated, yet each inspired by a particular infrastructural situ. Transplanting them together here showcases material shifts over time and conceptual throughlines. Utility boxes on the corners of streets become cage-like shower stalls and water towers. Water main access pipes stretch upwards like pillars and lamp posts. Ceramic pipes and vessels rest in their steel holds, face and connect the walls, or drop in blue, acrylic suspension from the ceiling. These ceramic pipes are lifted off the ground on specifically fabricated black platforms; a nod to the unique floor-to-wall relationship of the John M. O’Quinn gallery.