(of) Everything Island

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, referencing unearthly entities and apparitions, flora and fauna, culled from a disparate array of sources including Victorian evolutionary theory, video games, and traditional Irish fairy folklore to create a feminist exploration of grief, empathy, and resilience.