Ming Smith: Feeling the Future explores artist Ming Smith’s unparalleled career and is Smith’s first solo exhibition at a major institution to survey her work from the early 1970s through the present. The exhibition encompasses a multitude of artistic expressions to represent Smith’s vibrant and multi-layered practice, which is grounded in portraiture, and amplifies the heartbeat of Black life in the United States.
Drawn from the full complexity of Smith’s oeuvre, Feeling the Future places works from the artist’s five-decades of creation in conversation with one another, and the cultural movements she witnessed and participated in. Exploring themes such as Afrofuturism, Black cultural expression, representation and social examination, the exhibition offers a guided tour into unperceived moments of life as captured by one of the most profoundly gifted artists of her generation.
Feeling the Future includes Smith’s seminal photographic images, as well as her more recent work across media. Smith’s early images vibrate with the energy of her subjects—in carefully composed images, often developed or processed using techniques such as frame masking, hand-tinting, and superimposition, she blurs boundaries between the ethereal, tangible, and routine. Smith’s work uniquely embraces her subjects aesthetically and intellectually, through a style that is technically experimental and pointedly focused.
Support
Major support for Ming Smith: Feeling the Future is provided by the Terra Foundation for American Art and The Andy Warhol Foundation for the Visual Arts. Additional support is provided by Art Dealers Association of America Foundation.
Ming Smith: Feeling the Future has been made possible by the patrons, benefactors, and donors to CAMH’s Major Exhibition Fund: Chinhui Juhn and Eddie Allen, Sissy and Denny Kempner, Dillon Kyle and Sam Lasseter, MD Anderson Foundation, Rea Charitable Trust, The Sarofim Foundation, The Stolbun Family, Louisa Stude Sarofim, and the Texas Commission on the Arts.
Contemporary Arts Museum Houston is funded in part by the City of Houston through the Houston Arts Alliance.